Hydrodynamic.

Bird brains lift palette knives through future. Decapitation. The trend is burden, finality, worry about skin condition. doomsday vogue repeat last line. Image bank, moral stance, tv lunch. Violence metered in neurosis, the beginning and cut off eroticism coded in religion.

Led under the space canopy over an ocean. Waves lift to the foot, eddy thirty feet high so slow you can sketch them spraying back under the lift. Brown pelicans keep a breast car bonnet meet lee shore without property.

Hazard membership qualification. Curriculum what. Dares use Latin holding my hand through stiff grass. Yellow made dry beneath fog. This is my sign, my signature spoken into the vidium. Codes voice for credit.

Canteen computer checks age, size, sex against activity: orders lunch defined in calories and nutrition. Good. That’s nice. Thank you.

Hi. Stood back. Merce Cunningham. It can’t be. Hi. Notation? Well, all these systems based . . . on symbols which are translated by the dancer are out of whack. Walked towards the lift and dropped. Made a point of it. Heap of clothes falling slow enough to consider.

Yellow strong cadmium lemon halcyon.
Question it. How do you handle this avoid
entropy. A blue steel in sunflowers. Then
Green red yellow, green red green . . .
John Wieners takes off his trousers at State, admits again, dread of the east, west of San Francisco, on the balcony smile reveals energy lifting tiger sheets against his breast.

Three different versions of the concept of transformation. 1. the behaviour of plasma in a magnetic field. 2. whiteness hums in my head. 3. change evocation of eidetics and empirics into phenomenology of vision.


© Allen Fisher, 2004

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